Recently in an interview with Rolling Out, J. Cole spoke about many industry issues, such as being initially rejected by Jay-Z, his drive, his hometown, and the alleged sex-tape with Rihanna.

When it comes to hip-hop on a national scale, Fayetteville is relatively unknown. How did you approach being the first major hip-hop artist to represent that city?
I took pride in being the first artist out of Fayetteville to make it. I made sure that I was shouting out my city with every chance I got. I knew that there weren’t many people coming to my city looking for rappers, but I never felt that people wouldn’t respect me. I just knew that I had to make people pay attention.

How did you get into rap without there being a major rapper in your city to inspire you?
I started rapping out of fun. My cousin was rapping and I thought he was cool. But when I got the Can-I-Bus album in 1998, I knew he was rapping on another level. Nas and OutKast were great rappers and it was hard to do what they were doing lyrically, but I was drawn to Canibus’ punchlines. During that time, freestyle battles were big. So I decided to get wittier with my punch lines and wordplay after hearing that album.

You were known for basketball skills before becoming known as a rapper. Was there anything in sports that prepared you for where you are in music?
I tried out for the basketball team as freshman and I got cut. My cousin played ball and told me to become the team’s manager, get in good with the coach and learn the system. So I swallowed my pride and I became the team’s manager. I figured that I would make the team the next year just because I was the team’s manager. But I got cut the very next year. The average person would have [given] up after getting cut twice. The next summer before my junior year, I played one-on-one with the best player on the team and worked hard on my game. I finally made the team and I was starting my senior year. If it wasn’t for that rejection in basketball, I’m not sure if I would have had what it takes to make it in rap.

That story sounds like your first encounter with Jay-Z. What led to that moment?
I graduated from St. John’s University. At the time, all of my friends got nine-to-five jobs and were making $30,000 to 40,000 per year. I was working at a newspaper in Queens making $8 per hour at a part-time job so that I could still do music at night. I heard that Jay-Z was recording the American Gangster album. That same night, I made two beats and I thought it would be perfect for Jay-Z. I went to the studio where Jay-Z was recording and I waited outside for three hours. His Phantom finally pulled up. I was super timid and shy. I had the CD in my hand and I tried to hand it to Jay-Z. He looked at it and said, ‘What is this? I don’t want that. Give it to one of those other guys.’ It was crushing. That was another moment. But I snapped back to reality. I knew after that, I had to go harder. That type of rejection fuels me. I believe that greatness is fueled by rejection. Michael Jordan was cut from his high school basketball team; Jay-Z had trouble getting a record deal before Reasonable Doubt; and no one wanted to sign Kanye West as a rapper.

How did the second meeting with Jay-Z come about?
One year later, Jay-Z heard a song through Mark Pitts. Jay called me for a meeting. It was a three-hour meeting and I played my music [for] him. We talked about President Obama and other things. Five weeks later, he offered me a record deal.

Are there any drawbacks or pressure to being signed to an artist of Jay-Z’s caliber?
There aren’t any drawbacks. It’s great to have someone who has been the most successful rapper in history – to be able to have that guidance is all the advantage I need. Being associated with that name will make people pay attention. I love to get inside perspective from Jay-Z and guys like No I.D.

Beyond music, your name was mentioned by gossip bloggers who reported that you and Rihanna had a sex tape. How did you react when you heard about it?
Gossip is foreign to me. By nature, I don’t like gossip. I never was on the gossip sites. Now being on the other side, it’s annoying. A lot of people don’t know the difference between gossip and reality. They may think that you have a sex tape with Rihanna, or [that] you’re having sex with Solange because of what someone made up. But I guess it’s just something that comes with the territory.

How does Cole World: The Sideline Story reflect who you are as a person?
This album speaks to the type of artist I want to be. I think the album will provide thought provoking lyrics, and heartfelt stories. I want to take listeners on a ride. It shows the type of balance that I want to have as an artist. I want to be at the top of the list when it comes to rap. I want the respect of the hip-hop fans and connoisseurs. I want to be on everybody’s list.

Source: Rolling Out